Writing a sense of place according to the Internet


I have to confess that I struggle with creating a vivid sense of place sometimes. Usually when the setting is relatively mundane – some town, some house, someone’s back garden. To help me overcome this weakness, I’ve looked at what the Internet has to say about creating a vivid world.

Why does sense of place matter?

It is the vivid and breathtaking “reality” of Middle-earth that makes Lord of the Rings work. Without it, you have a poorly written story about a bunch of characters wandering around and getting into trouble. The same is true for our own writing too.

Why is setting important? Mastering writing time and place

Use fewer words, not more

When I started this research, I assumed that I needed many more words to paint a good picture of the world my fiction is set in. This is not the case for a masterful sense of place.

The apex of our art is to suggest everything with a single, well chosen, word. Beyond that word, we can show the characters interacting with the world around them (show, don’t tell).

The more words we use to describe the setting, the slower the pace. So, like poets, we need to say as much as possible with as few words as we can. Here, at any rate, it seems words should be treated as an expensive premium.

Transport me somewhere new

may the muse be with youWhen telling a story we are trying to take people somewhere else using only words. This, I can tell you, is hard. I have no words of sage advice for you other than “good luck, may the muse be with you.”

Don’t let that stop you. Keep trying. Keep telling stories and trying to take me away to new worlds.

This is where I stop and hand over to you.

  • What are your tips of sense of place?
  • Do you find making the location vivid hard or easy?
  • Which books demonstrate a sense of place best?

Use the comments and share your insights.

Writers Explore: Disposing of a dead body

In honour of NaNoWriMo, let’s take a look at one of those topics that writers tend to Google far too much – disposing of a dead body.

Let’s be honest, if anyone took a look at the search history of a writer – especially a crime or mystery writer – it would probably be quite disturbing. One of the things that fascinates us writers is how a character might try to get away with murder.

So in this post, and purely on a theoretical basis, let us look at how to get rid of that pesky surplus corpse.

Before we begin, I should point out that every solution can come with an additional set of problems which can spiral out of control. There is no such thing as a perfect murder but a story about attempting one could be really interesting. If you write that, please let me know – I want to read it.

Disposing of a dead body: Moving the corpse

First things first. Have you ever tried to move someone who has passed out drunk? They become unbelievably heavy. That’s what a dead body is like. Your first problem is moving it.

You’ve got a few options here.

  1. Dispose of the body right there (tricky)
  2. Ropes, winches, and pullies (fiddly)
  3. Ask someone to help you (risky)
  4. Cut up the body (messy)
  5. Don’t kill anyone to start with (too late)

Whichever option your character goes for is going to leave trace evidence all over the show. However, your character has already got a body so there is no turning back now.

Disposing of a dead body right there

Oh boy, this is all sorts of problems. Dead bodies are basically a huge unprocessed sack of meat and other less pleasant things. They are going to smell bad after a short amount of time. The hotter, the faster that bad smell is going to show up.

Talking of showing up. Flies and other bugs are going to be attracted to the smell pretty soon. If you have ever watched Bones (or similar shows), then I am sure you have a lot of ideas about flesh-eating insects. However, mostly we are talking flies and maggots.

If “right here” happens to be the middle of a woods then you have probably been planning this for a while (you scary person). If the site of death is suitable for disposal then skip the moving stage and move on to a whole other set of problems.

Before you move on, remember that anyone might have known that the victim was heading to the site. Their phone may have GPS so their movements might have been tracked. They might have said something to someone. They might have dropped something on the way.

The fact is that you (or your character) might never catch all the clues and clean them up.

Disposing of a dead body with ropes and pullies

In terms of moving heavy things, some good climbing gear could be a huge help. You can, on your own, move the heavy sack of dead meat that is the victim in your story (this is still theoretical, right). However, you may leave trace rope fibres, cause most-death damage to the corpse, and/or leave trace evidence at the scene of the death. Also, you will have (possibly expensive) kit left over that was used in a serious crime. You will need to get rid of this afterwards too.

In this video, the basics of lifting a body (yourself or another) using ropes and pullies are explained.

Disposing of a dead body with an accomplice

This is another approach you could take. However, having an assistant means having a witness that could turn on you. If your character is of a particularly evil nature, they could always kill the accomplice at the disposal site and double their workload.

Two people moving about the crime scene substantially increases the chances that someone is going to leave a clue behind.

Disposing of a dead body in bite-sized chunks

If you choose to cut up the body Dexter style then there is a serious clean up going to be needed. Cutting is not much use if you are trying to minimise the trace evidence that’s going to show up on your character and the crime scene.

You could try plastic sheeting but it comes with its own problems. Dexter, if you have read the book or seen the show, had a legitimate reason for obtaining and using plastic sheeting but your character might not have a good cover story.

You could try strong bleach for cleaning the crime scene. However, obtaining industrious quantities of bleach just after a murder might raise suspicions.

Disposing of the actual body

One way or another you have moved the dead body to a new location. This probably involved a car, some really big backpacks, or some other form of transport. Assuming that no one saw you and the police are not already asking you to “come along peacefully”, what now?

Disposing of a dead body: with pigs

If you are a fan of British made crime films (Snatch comes to mind) then you probably think feeding a dead body to a pig is a good idea. It might be effective but in terms of plot, Fed to Pigs is a trope that has been a little overdone of late.

Pigs, as mentioned above, are sufficiently common in crime stories as corpse disposal machines that it is in danger of becoming a cliche. It could work but can’t you come up with something a bit more interesting?

Disposing of a dead body: Burial

A classic because it works so well. However, there are some drawbacks.

Digging a deep hole is hard work. you could get help but that has drawbacks of its own. Digging among trees, at night, while maybe a bit panicked is even harder. Doing all that and then not coming home and looking like you have been digging holes is probably impossible.

Digging in the sand is easier but so is the body getting found.

One often explored ide is to dig an extra deep hole and add a second victim (a family pet) somewhat higher up. This might throw the searchers off. It might not if they have read this, though.

Disposing of a dead body: Reuse a grave

If despite my warnings about the dangers of working with other people, you want to go this route then you might be able to find a corruptable mortician and arrange for your corpse to share a coffin.

If working alone is more your character’s style, then re-digging a fresh grave and dumping your poor victim in there, while risky while you dig, is still a logical choice.

If you happen to run a crematorium then you have further options but I’m guessing this is back to the problem of bribing someone and keeping them quite. Maybe acid could do the job of fire…

Disposing of a dead body: Flesh Eating Hydrofluoric Acid

This solution (excuse the pun) crops up on shows like Breaking Bad. To help you give an authentic portrayal of using acid to dispose of a dead body, we turn to science for answers.

This video shows the results of experimentally dipping chicken into three different acids. Chicken, in this case, is a reasonable analogy for disposing of a dead body without the need to do something horrific to another human being.

Disposing of a dead body: Fire

So you don’t have access to a crematorium but you think a fire will remove all evidence. This is no small task.

A burning corpse is going to stink. I mean really stink. All that hair and body waste are going to hum worse than your hasty cover story.

You will need to get the fire hot. Around 1000°C for three hours should do it. After all, a body is mostly water. A fire like that is going to raise questions. On the other hand, DNA and other trace evidence will get eaten up.

An alternative would be to use a steal works. At 1370°C the only thing that will be left will be a little extra phosphorous which would make the steal a bit harder and more brittle. Again, this might be a clue if your character is not careful enough.

Disposing of a dead body: Water

BoatContinuing our theme of the elements, what about water? If you have access to a boat then maybe taking a trip out to sea might hold the answer.

The problem is that bodies float. So you will need to secure them to something heavy. When they go down to Davie Jones Locker you need to feel secure that they are not coming back up.

You will also need a site that is deep enough that no one is going to go down there. The deeper the better. That means a tench or somewhere past the continental shelf. However, out there currents can do amazing things so choose carefully.

The sea is not a forgiving graveyard and things frequently come back when they are least wanted. Have you seen what washes up on the beach? In Margate, for example, World War Two munitions (live and deadly) still show up from time to time.

The general advice seems to be to roll the body in a chain link fence before sending them to their final resting place.

This had the advantage of potentially removing the body forever but the headache of making sure no evidence ends up on your boat. How good are you at cleaning? A single drop of blood or a stray hair could be enough to put the canny detective on the character’s trail.

Disposing of a dead body: By eating them

eat itBy far the most effective method, if a little slow, would be to butcher, cook, and eat the body. The bones and teeth could be ground up into a fine powder and used as a food additive. Grim but effective.

If you own some dogs or other animals, they could help you.

For extra horror, if the character owns a restaurant…

Other considerations

Cleaning up after the crime is a whole other story. Almost everything you do is going to leave traces and no matter how carefully you clean, you might miss something. To make your character’s life harder, the people investigating the murder will be experts at finding things while you (or your character) are newbies.

Here are a few things that you might want to add to your research list.

  • Luminol – reacts with haemoglobin to enable investigators to detect tiny traces of blood.
  • Bleach – because you don’t want luminal to be your downfall
  • Matches – because burning it all down may be your only choice
  • A change of clothes – everything your character had on is evidence

A change of clothes

Seven years after the police took his boots they were able to get DNA evidence that led to the arrest of mass murderer Robert Pickton. Basically, your character needs to burn their clothes.

Of course, a change of clothes is no help if you cannot get clean yourself first. Which will probably leave your DNA all over the cleanup site. I did mention the problems pile up. Have fun solving that one. More bleach and luminol might be called for but good luck explaining why you washed the bathroom with that stuff.

Blood and Magnets

Blood contains iron and iron reacts to magnets. Does that mean you can clean up blood with giant magnets?

Warning, this video contains blood.

More ideas for disposing of a dead body

This reddit thread has a long discussion on the subject of getting rid of a body. Let’s just say that the pigs get talked about a lot.

What’s the best way to get rid of a dead body? from AskReddit

Feel free to chip in with your ideas for how a character could realistically get rid of a dead body. I’d love to hear your ideas.

You might be interested in our previous Writers Explore which looked at mental health. This topic might or might not tie in depending on what sort of story you are trying to tell.

NaNoWriMo meet up – Margate

Thanet Creative was planning to organise a NaNoWriMo meet up but then I noticed that there was already one taking place in Margate.

Some wonderful person (Christie Drozdowski) has arranged for a write-in every Sunday from 4 pm to 6 pm at Bernie’s Chocolate Bar.

I shall be taking my ancient laptop (maybe) and attempting to pop along most weeks. As we’ve had to put Sunday Writers on hiatus for a little while (Tea and Chat is back on Tuesdays though), this is a perfect opportunity to get out and meet fellow novelists.

If, like me, you feel like a monkey hitting keys sometimes, meeting other writers can help to put the old imposter syndrome in its place.

Perhaps I will see you there?

Key details


Technobabble: Good or bad?


Now we are in the window of crazy writing called NaNoWriMo, I thought I would take a quick look at a topic I have been abusing for comic effect – technobabble.

What is technobabble?

Technobabble is generally the bashing about of likely sounding science words to explain something that either you do not understand or that you should not be explaining but which, for various reasons, your plot hinges on. Extra credits do a great job of explaining technobabble in this video. As do TV Tropes (warning TV Tropes).

Is technobabble good or bad?

Technobabble is easily abused for hack writing. In that regard, it is very bad. If your story is already struggling to get the audience to buy into the concepts you are pushing adding complicated fake jargon rarely ever helps. I’m looking at you Star Wars prequel trilogy.

On the other hand, if done well, a little technobabble can stand in for “this is complicated so don’t worry about it”. In that regard, it can be good. Bonus points if the science makes perfect sense too.

I’ve been using technobabble to make science jokes as humour within humour for a year or so and find it whole heaps of fun. If you don’t get the science you see comical technobabble but if you do understand the science then there is a whole extra layer of jokes for you to enjoy. At least I hope you enjoy it.

Which is where you come in.

Over to you

This post marks the return of our “over to you” section. Tell us your opinion on technobabble.

  • Is technobabble always bad?
  • Can it be good?
  • What are some of your favourite examples of technobabble?
  • Midichlorians aside, what are some examples of very bad technobabble?
  • Have you used technobabble in your own writing and how did you go about it?

Continue reading Technobabble: Good or bad?

NaNoWriMo starts tomorrow, are you ready?

NaNoWriMo, the month of novel writing, starts tomorrow. Are you ready?

Me? Not at all. I have the barest of bare-bones plans. That could have something to do with all the DIY that has been going on in my home. The current phase culminates today with a Writer’s Tea and chat (and food) to which everyone is invited.

All I can tell you about my NaNoWriMo is that it will feature the characters from this story. I called it Dimensions and Parallel Universes with Jack. My writing group call it “that story with the cat in it”. I am working on an RPG set in this universe. (Well, I am a geek).

Not my first WriMo.

I have been doing NaNoWriMo for a long while now. And, aside from one bad year, have always met my target. Apparently, my “best” NaNoWriMo day ever was 19,717 words written on 29th of November, 2012. I don’t remember it but I clearly doing some hard-core writing.

If you are thinking about writing a novel, NaNoWriMo is the perfect time to get started. Add me as a writing buddy; my profile is right here.

Do you WriMo?

  • What do you think about NaNoWriMo?
  • Are you taking part? (Are you ready)
  • Have you tried before? (Tell us about it)

Writers of Thanet

There are many writers who could be said to be writers of Thanet insofar as these writers came from or have been connected to Thanet.

I’ve divided this list of Writers of Thanet by town. My primary source of information for this list was Wikipedia. As a result, many new and emerging writers of Thanet will not be listed. Perhaps this could be the topic for an article you might like to submit?

Thanet’s Writers: Ramsgate

Anthony Buckeridge (20 June 1912 – 28 June 2004), an author best known for his Jennings series of novels, lived in Ramsgate and taught at St. Lawrence College.

Francis Burnand (29 November 1836 – 21 April 1917), was an English comic writer and dramatist who lived much of his life in Ramsgate.

Jefferson Hack, (born 20 June 1971), publisher, journalist and model, lived for many of his childhood and teenage years at Beach Grove, Cliffsend, near Ramsgate.

Karl Marx (1818–1883) is known to have stayed in the town some nine times.[1] as did his comrade Friedrich Engels One known spot is in Hardres Street. His eldest daughter Jenny Longuet Marx (1844–1883) lived for a period at 6 Artillery Road.

Thanet’s Writers: Broadstairs

John Buchan (1875–1940) was rumoured to have based his thriller The Thirty Nine Steps on the set of steps on the beach at North Foreland, Broadstairs, where he was recuperating from a duodenal ulcer in 1915.

Brian Degas, author, writer and creator of the TV Series Colditz, lives in the town.

Charles Dickens, novelist, had a holiday home in Broadstairs, where he wrote David Copperfield. For a period he owned Fort House on a promontory above the town, where he wrote Bleak House, which the location is now called.

Frank Richards (pen name of Charles Harold St John Hamilton; 1875–1961), the writer of the Billy Bunter novels, lived in Kingsgate, Broadstairs.

Bruce Robinson, author of Withnail and I etc., was born in Broadstairs in 1946.

Stevie Smith, poet, spent several years on and off in a sanatorium near Broadstairs while suffering from tuberculous peritonitis as a child.

Thanet’s Writers: Margate

Iain Aitch is an English writer and journalist who was born in Margate.

T. S. Eliot, poet, wrote part of The Waste Land in Margate in 1922, whilst recuperating from nervous strain.

Marty Feldman, comic writer and comedian, began his career aged 15 as part of a circus-style act at Dreamland Funpark in Margate.

Mike Stock is a British songwriter and record producer best known as a member of the songwriting and record production trio Stock, Aitken, and Waterman. He was born in Margate on 3 December 1951.

Which Writers of Thanet have we missed?

I know for a fact that the Wikipedia hs not listed all the published authors of Thanet. Would you be interested in writing a follow-up list of writers from Thanet that the Wikipedia does not list?

Have we missed any of the famous (or not so famous) writers of Thanet? Who else would you add?

How many of these writers had you heard of before today?

Let us know your thoughts in the comments.

Do you NaNoWriMo?

Who else has heard of NaNoWriMo? If you have yet to encounter it, this is your introduction to something that will take you nought to novel author in just 30 days.

NaNoWriMo, or the National Novel Writing Month is a challenge to write a novel in just one month. Impossible you say, that’s what I thought and yet, all these years later, I have a growing collection of first drafts and an increased confidence that each one is better than the one from the year before.

NaNoWriMo is not just for amateurs. Many authors who stared in NaNoWriMo went on to be traditionally published. About 449 traditionally published books started in NaNoWriMo. And that’s just the ones they know about.

This year, participants will be inspired by weekly “pep talks” penned by published authors, including Roxane Gay, Kevin Kwan, Julie Murphy, and Grant Faulkner. NaNoWriMo will also provide participants access to mentorship from authors including Emily X. R. Pan, Mur Lafferty, and Jasmine Guillory.

A novel in a month?

A novel in a month. That does not seem possible. How do the NaNoWriMo folks do it?

The secret is not worrying and just getting stuff down on paper. The fact is that it is hundreds of times easier to fix an imperfect manuscript than it is to write a perfect one.

After that, it is just a case of doing a little math (or letting me do it for you). The target word count is 50,000 words. This is 1,667 words a day. Or about three to five typed pages. Which amounts to a page in the morning, one at lunch, another before tea and two more in the evening.

That’s not so hard right?

How to make NaNoWriMo even easier

There are many secrets, tips, and hacks to make NaNoWriMo even easier but here are three quick tips that will turn anyone into a novelist in just one month.

1. Tell everyone what you are doing

I cannot tell you how much more motivated I feel when I know that everyone is going to ask how my novel is going. That part of my brain that works very hard to avoid embarrassing me (the part that gets trumped by own idiot missteps) can work for you too. I find that I work very hard to keep on target when failure means everyone knowing about my failure.

As motivation hacks go, this one is huge.

2. Come up with a few ideas ahead of time

Nothing takes the pressure off like having a handle on the characters and settings for your story. You can find some tools to help build characters in our Facebook group. You can also get support in the forums, particularly the QnA for aspiring authors. There is a long-running thread with questions to ask in a mock interview with your main protagonist (lead character).

3. Break your story into 30 little chunks

Break your story up into 30 bite-sized chunks. Each of those, oh I don’t know but let’s call them chapters, can tell one part of the story.

This takes the pressure off because you will not need to ask yourself “what do I write today?” because you already have a plan.

Are you going to be doing NaNoWriMo?

Thanet Creative are planning to make Thanet much more NaNoWriMo freindly by holding write ins and supporting WriMos (participants) in our regular writing group events.

What’s stopping you becoming a novelist?

Why we need to write fewer white male protagonists

If you are looking for an audience for your stories you could do a lot better than targeting white able-bodied blokes. That market is already saturated.

There are a lot of people hoping to read about people like themselves. You are missing out on willing readers if you ignore them.

There is nothing wrong with white protagonists

Don’t get me wrong, there is nothing wrong with white dudes (at least I hope not because I one) but if you are really interested in telling interesting and varied stories with interesting characters, then it is time to expand your character palate.

We writers have an amazing opportunity to create characters that can be role models that inspire people. That inspiration can be as simple as seeing someone like you achieving. So why do most of us choose to have straight white male dudes as our protagonists?

As a white dude, I have a huge array of super-heroes, action heroes, and all sorts of other heroes to aspire to. In marketing terms, I have too much choice. That choice means that I am pretty unlikely to get all that excited about your story. Of course, if it has cool spaceships in it you might be okay because I have a bit of an addiction to those but you are still going to have to compete with a lot of classics I still have on my reading list.

Choose a different market segment

While I have all the white male protagonists I could want to read about, I have none that are exactly like me. If your story were about a dyspraxic geek with ankylosing spondylitis and a problem with weight loss, well, you might just find me pre-ordering your book on principle. Even if there are not many cool spaceships to be seen.The reason for that is that I do not have a wide range of choices when it comes to fat semi-crippled geek role-models.

The same is pretty much true of the vast majority of the whole spectrum of humanity. The only reason we write male characters more than female and able bodies more than less able is that this is what we grew up reading.

Dylan Alcott told a TED conference in Sydney that what disabled kids need to see is disabled people achieving so they knew they can achieve too. As writers, we can make that happen.

The world is full of interesting people achieving

The real world is full of interesting people achieving so why not reflect that in our writing? Take this young record breaker, for example.

Isn’t it time to stop telling the one story

Chimamanda Ngozi Adichie gave a TED conference talk on “The danger of the single story”. Her stories show us that the limited view of others reduces them from complex and interesting people to some single story.

We call these single stories “stereotypes”. They are unhelpful through being woefully incomplete.


Diversity must be natural, and sensitive

It is one thing to decide to broaden your appeal beyond young white males but quite another to deal with other cultures without sufficient understanding. Cliches and stereotypes are not enough. A badly written dyslexic hero is going to do more to put me off than inspire me. If you were thinking of doing that please stick tot he standard white protagonists.

Justine Larbalestier suggests, in an article called “how to write protagonists of colour when you’re white” that you should be calling on the services of a very sepcial branch of beta-readers – sensitivity readers. A sensitvity reader can help you make sure that you’re not being offensive unwittingly but they cannot do your research for you.

How to Write Protagonists of Colour When You’re White

The case against writing outside of your race

The blog, Read Diverse Books, makes a strong case for not just forcing people of colour into the protagonist role just because of some guilt about being white. That is not helpful at all. That much I can agree with.

The article suggests that white people should stick to white protagonists.  I’m not sure if I fully agree with their whole point but forced diversity n your story is cheap and should be avoided, that much should be clear.

White Authors – Fill Your Stories With People Of Color, But Don’t Make Them Your Protagonists

The case for writing outside of your race

Writers Unboxed have a guest article that I suggest you read. It makes a strong case for writing characters that do not just include your own race. By extension, this case would apply for writing outside of your own abledness (or lack thereof). The case for crossing cultures, ability, and gender. To tell stories about people. Stories that are rich and diverse.

White Writers Writing Non-White Characters: Why I Vote Yes, for Commercial Fiction

A rich diversity of characters is the path to success

Crafting a rich diversity of different characters with different skills, problems, races, genders, preferences, and the whole spectrum of humanity is key. It is, quite possibly, the key to commercial and cultural success as a writer. It might be a strange thing to talk about commercial success. The truth is that it is rare for a writer to be culturally influential and not also be commercially successful too.

Adventure stories do not have to be just about white dudes on motorbikes. Love stories do not have to be only about middle-class girls and handsome princes. Quite frankly these are both boring to me because (as a semi-able geek with average looks and a tendency to write blog posts) I cannot relate to them at all.

There is nothing wrong with writing strong white protagonists. There is nothing wrong with making them male and able-bodied. Just don’t write only that one character.

If you want to find success as a writer do this one thing. Find a group of people, learn all you can about them, and then write stories that contain characters that those people can relate to. Not only will literature be richer for such a contribution but your life will be too.

September’s Winner and Sunday’s challenge.

The Winner of the September story challenge is Jess Joy.

I thought I would get that out there right from the offset. This is a zero mystery post, today. On the other hand, there is a lot of really good mystery in the winning post. Don’t forget to read it next.

readingIn a few days, I will be posting the October Challenge. Were I to think about this stuff in advance I could have them posted on the first of each month. If I was that super organised I’d probably be all wrong for writing so…

Anyway, before that avenue of pleasure, I thought I would share the Sunday Writers challenge of the week. This should really be posted by Vicky but, well, that thing we said about being organised and writing… Yeah, that some more.

Right, the challenge. Are you ready?

The challenge is to write a story.

(Big surprise).

However, this story must be:

  1. In the second person
  2. In present tense
  3. Ready on Sunday

Here is a quick overview of writing in the second person. It is about the craziest type of story to try and write. Made crazier by being present tense.

If you come along on Sunday and fancy joining in, bring your attempt. If not post it as a submission here or on your blog (and ping us).

Let’s see what you got.

The prize, at Sunday Writers, is that the winner will be published on the site. Please don’t let me be the only one who brings something.

EditThe closing date will be the week of bonfire night (end of roughly). Vicky will explain properly soon. (I’ve made aright dog’s dinner of it).

Having fun at a writer’s group

Ball Pit

There is something magical about finding a fun writer’s group.

At last weekend’s Sunday Writers group we tried out a new activity – Word Bingo. Now, before you groan here me out – this was a far more fun than it had any right to be. That might be because I am hugely competitive and I happened to win. Who is to say. Winning the prize for that week certainly was nice. I can tell you that.

You play word bingo like normal bingo. You each have a sheet of writer-related words and the speaker says that word, you tick it off. The speaker, in our case, is whoever is presenting something or asking a question, or whatever – it depends on what we are doing at the time.

The benefits of a fun writer’s group

We noticed an unintended and beneficial side effect of the game. While we were playing, every one of us paid rapt attention to what was being said. Our listening skills were turned up to 11.

The point is that creativity and working together does not need to be boring or overly serious. A lot of studies show that if you can have fun doing something, your focus is greatly improved.

Which is why I spent a lot of the day, yesterday, writing a generator script to make Writer’s Group Word Bing cards. There is a post on the Author Buzz Dev blog explaining how it works under the hood. If you have a geeky side and want to take a look then check it out.

Writers’ Word Bingo

How do you have fun at your writer’s group?

This got me thinking. How do other writers groups make their weekly (or monthly) events maximally fun?

Let me know in the comments about the fun activities that take place at your local writers’ group. After all, everyone loves a fun writer’s group, right?